Services
Address
20, Avenue Guillemin, 1009 Pully, Switzerland
Phone
Marina Shariy
Restorer-conservator
+076 4740835
mshariy@mail.ru
Gallery
Restoration and conservation of easel paintings
Painting on canvas
Photofixing the work with different lighting
S. Giraud - «The Education of Bacchus» (fragment) | 1879
Museum of Art and History in Geneva
Direct lighting
Side lighting
Ultraviolet
Removal of surface contaminants
«The Bather»
1900 | Fragment
B. Bodmer
«Portrait of Joseph Garance»
1914 | Fragment
F. Odler
«Léda»
1822 | Fragment
G.-F. Barraud
Lacquer coating removal
J.P. St. Urs. - «The Communion of Saint Jerome» (fragment) | 1781-82
Museum of Art and History in Geneva
In process (direct lighting)
Ultraviolet
General view
Removal of surface soiling and varnish coating
S. Giraud - «Raising Bacchus» (fragment) | 1879
Museum of Art and History in Geneva
In process
In process
General view
Removal of surface contamination and lacquer coating
Author unknown, copy from a painting by C. Allory
«Judith with the head of Holofernes» (excerpt) | 19th century
Museum of Art and History in Geneva
Before restoration
After restoration
Removal of surface contamination and mildew
F. Dumont - «Exit from the Church in Valais» (fragment) | 1895
Museum of Art and History in Geneva
Before restoration
After restoration
Remove lacquer coating and fungus
E. Belle - «Portrait of Henriette Paris-Rossel» (fragment) | 1836
Private collection
Before restoration
In process
After restoration
Aligning the deformation of the canvas
К. Schwab - «Sorrow» (fragment) | 1893
Museum of Art and History in Geneva
Before (side lighting)
After (side lighting)
Strengthening the paint layer on the vacuum table and with weights
Painting on wood
Removal of lacquer coating, late masticatory marks and records (1), treatment of potholes with subsequent masticatory marks, replenishment of the paint layer in places of loss (2), reconstruction of a fragment (3)
G. Ghigoni - «Adoration of the Magi» (fragment) | 1530
Museum of Art and History in Geneva
Fragment (1)
Fragment (2)
Fragment (3)
Layer-by-layer removal of varnish and late entries
Michele di Ridolfo School (made from Michelangelo's cardboard)
«Venus and Cupid» (fragment) | 1532-33
Museum of Art and History in Geneva
Before (direct light)
After (direct light)
Before (UV lighting)
After (UV lighting)
Removal of mildew, lacquer, late stains, followed by masticating and staining in places where the paint layer is lost
Benabar - «Introduction of the Blessed Virgin» (excerpt) | 1450-1456
Museum of Art and History in Geneva
Before restoration
In process
After restoration
Painting on gypsum
Gluing broken parts and fragments of the base, masticating, toning in places of loss
A.N. Morero-Trifon - «Portrait of the painter A. Trashel» (fragment) | early 20th century
Museum of Art and History in Geneva
Bonding process
Bonding process
Before restoration
Side lighting
In process
After restoration
Restoration of monumental paintings
Removal of fungus and surface contamination, followed by tinting in places of loss
S. Panke - «Jesus Healing the Sick» (fragment) | 1919
Museum of Art and History in Geneva
Before restoration
After restoration
General view
Monumental mural painting
Strengthening, removal of surface impurities
State Hermitage, New Hermitage, Hercules Hall
Painted decor on the plafond and in the lunettes
Before
After
General view
Smoothing the canvas, removing fragments of plaster, strengthening the paint layer, masticating and toning in places of loss, reconstruction
Painting panel - «Gathering grapes» (fragment)
Lausanne railway station
Canvas on a shaft
Before restoration
After restoration
Restoration of polychrome sculpture
Removal of surface contamination and moisture halos, tinting
«Girl's head» | Terracotta 19th century
Private collection
In the process of restoration
In the process of restoration
In the process of restoration
Picture frame restoration
Strengthening of wooden fragments, removal of surface contamination
Frame with floral ornamentation | 19th century
© Marina Shariy
